AT. LONG. LA$T. A. REVIEW

AT. LONG. LAST. A$AP






I made no bones about my admiration for the LONG. LIVE. A$AP project and 2 years ago I proclaimed it the Hip Hop album of the year, when most people had firmly hitched their wagons to Team Kendrick. The main criticism of LLA was the degree to which the Harlem native had co-opted a style most readily associated with southern Hip Hop artists. Never mind songs as firmly East Coast as 1 Train or Ghetto Symphony or the fact that Rocky, a New Yorker may have recorded the most progressive trap album of all time. A fact that East Coast music lovers should have ran with given how little by way of musical importance the East Coast had produced in recent times.

 To a lesser degree writers such as myself ALSO wished the album had a little bit more social commentary to go along with its drug drenched sounds and themes. Extremely surprisingly A$AP Rocky’s second solo long player, the cleverly titled AT. LONG. LAST. A$AP finds the artist develling into more social conscious subject matter. SongS like Canal Street, Max B, and Pharsyde to name a few each provide more insight than can be found on all of LLA.

Even more surprising is the complete lack  of a push for mainstream appeal or a big crossover hit. I’m not even sure there is an attempt at the proverbial “club banger”. Drake, Kendrick Lamar and 2 Chainz do not make a return to this album despite the success they achieved at penetrating the charts last time around. This album feels as free from a formulaic approach as any record I've heard in the last 20 years. It’s Rocky being Rocky. An artist as comfortable in his own skin as any Hip Hop has produced in generations. Where Kanye tells you he’s an artist (and correctly so), Rocky gives you his art, which in and of itself justifies his approach. It's a rare thing for an artist to change the direction of their lyrical content when their fan base would have been exceedingly happy with more of the same. The melancholy nihilism of youth has given way to an old soul viewing his surroundings with a weary eye. Subtle but significant growth in an industry that wants it's artists to stay stuck in stasis until a younger newer version can take their place. 

My only real disappointment, and the thing that keeps me from giving this project full marks is that I feel it could have really benefitted from an all out banger in the vein of 1 Train or Ghetto Symphony. The record plays a little too much on the same plane for me. I would have liked some music to get hype too thrown in with the other stuff. Some peaks and valleys of if you will if for no other reason than to break the album up a bit. 

That being said I look forward to the continued growth from this artist and that's something I never say about a Hip Hop act. 

UH!

Stand out tracks 

Lord Pretty Flaco Jodye 2
Pharsyde
L$D